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1999-10 Audio Media (UK)
1 page review (VSS software-update)
Author: David Mellor
As with the original M3000, the editing facilities are vast. […] In short, the TC Electronic M3000 is a very good reverb unit and the Film and Post upgrade makes it even better.
2000 Keybuy Award
Keyboard (US)
- Best Buy in January 2000
1999-9 Electronic Musician (US)
2 pages review, page 180
Author: Mike Collins
Quite simply, this is the most natural-sounding digital reverb I have ever heard.
1999 Blue Ribbon Award Winner
EQ Magazine (US)
- in the category 'Best Outboard Gear'
1999-8 Keyboards (D)
5 pages review, page 78
Author: Jörg Küster
Wie klingt der neue VSS-Algorithmus? Mit einem Wort: Authentisch! Wenn es um die Simulation natürlichen Nachhalls geht, hat der neue TC-prozessor nur wenige ernsthafte Konkurrenten. Die Ergebnisse klingen derart real, daß die Illusion bei passenden Mischverhältnissen wirklich perfekt ist. Auch bei kritischem Material werden keine Silikon-Artefakte hörbar; die Räume wirken stets homogen, sauber, durchsichtig und trotzdem dicht - fast schon zu schön, um wahr zu sein!
1999 TEC Award Winner
MIX Magazine (US)
- in the category 'Signal Processing Hardware'
1999-7 MIX Magzine (US)
2 pages review, page 118
Author: Arthur Bloom
Controlling the M3000 is a breeze, thanks to a simple interface that belies the power and flexibility under the hood. [...], it did not take long to discover that vocals love the M3000.
1999 Studio Sound Audio Industry
Recognition Award Winner
Studio Sound (UK)
- in the category 'Best Outboard Reverb'
1999-7 MIX Magzine (US)
2 pages review, page 118
Author: Arthur Bloom
Controlling the M3000 is a breeze, thanks to a simple interface that belies the power and flexibility under the hood. [...], it did not take long to discover that vocals love the M3000.
1998 Blue Ribbon Nominee
EQ Magazine (US)
- in the category 'Best Outboard Gear'
1999-6 SoundWorks (Asia)
1999-6 SoundWorks (Asia)
3 pages review, page 35
Author: Mike Collins
... editing the M3000 couldn't be much simpler, the reverb sounds great, and the price is right. Now you couldn't really ask for much more, could you?
2000-3 Production Partner (D)
3 pages review, page 140
Author: Peter Kaminski
Der Preis ist auf Grund der klanlichen Qualitäten, der Vielseitigkeit und enorm grossen Anwendungsbereiche auf jeden Fall gerechtfertigt. Man kann jedem Studiobetreiber, Post-Pro und Broadcast-Anwender den M3000 nur wärmstens empfehlen.
1999-6 Sound On Sound (UK)
4 pages review, page 54
Author: Mike Collins
Then we listened to the M3000. Before I could say anything, Renny [Renny Hill, ex-Sarm recording engineer] quitely said "This sounds better than a Lexicon 480L!" I asked him why and he told me that the sound of the reverb was simply one of the most natural he had ever heard from a digital device. [...] there was a depth, a smoothness, but, more importantly, such a convincing and realistic sound to the reverb that we just stood around with our mouths wide open for the next 10 minutes while we just listened! Say no more!
2000-1 Keyboards (US)
1 page review, page 126
Author: Mitch Gallagher
If it seems as if I'm raving a bit about the M3000, it's because, well, I am raving! In fact, Keyboards has given it a Key Buy award. If you're looking for a top-quality reverb that offers a natural-sounding alternative to other reverb processors, the M3000 is for you.
1999-5 Soundcheck (D)
2 pages review, page 86
Author: Hans-Joachim Schäfer
Das M3000 bietet vor allem einen überragenden, natürlichen Hall und setzt damit über seine Preisklasse hinaus neue Maßstäbe. Aber auch Ausstattung, Bedienung und Programmierung verdienen Bestnoten.
1999-12 Guitar World (US)
1 page review, page 184
Author: Jeff Colchamiro
Whether you're someone who likes effects and wants to tweak every parameter, or you're just looking for a processor with a few factory presets you'll use time and again, the M3000 has what you need.
1999-4 Soundcheck (DK)
4 pages review, page 68
Author: Jens Walther
TC Electronic er til guld og grønne skove (…). Med denne maskine i rack-skabet kan man klare alle de rumklangs-opgaver, som lyd/musikproduktioner kan stille én over for.
1999-4 Studio Magazin (D)
5 pages review, page 22
Author: Dieter Kahlen
Die Qualität der Nachhallerzeugung auf Basis der neu entwickelten VSS-Algorithmen weist keine erkennbaren Schwächen auf und bewegt sich aus unserer Sicht bereits auf einem Niveau, das nur noch geschmackliche und keine qualitativen Diskussionen mehr zuläßt. [...]. Also ein echter Volltreffer aus der dänischen 'Digitalmanufaktur', der voll und ganz unseren Geschmack trifft.
1999-4 ProSound Magazine (Japan) 4/99
As the high-resolution digital era progresses, [the M3000] will be a reverb that every studio will want to have one of.
1999-3 Riffi (Finland) 2/99
2 pages review, page 54
Author: Antti Vehman
1999-3 Keys (D)
4 pages review, page 54.
Author: Christian Preissig
Mit dem neuen Hallspezialisten M3000 und der neuen VSS-3-Technik will TC seinem Ruf einmal mehr gerecht werden und die amerikanische Konkurrenz in der Effekte-Königsklasse auf die Plätze verweisen.
1999-1 Audio Media (UK)
4 pages review, page 68
Author: David Mellor
M3000 - a digital box of miracles.
1999-4 MM (Sweden)
3 pages review, page 40
Author: Tomas Johansson
TC har lyft reverbkonsten till en helt ny nivå och ni som funderar på att köpa en M3000 får vackert ställa er efter mig i kön.
1999-3 Audio Professional (D)
3 pages review, page 42
Author: Martin Hömberg
So wie der M3000 jetzt daherkommt bietet er ein Höchstmaß an Reverb-Qualität und kombinatorische Flexibilität bei einer allemal überschaubaren, komfortablen Bedienung und Benutzer-Führung.
1999-1 Studio Sound (UK)
2 pages review, page 23
Author: David Foister
Hand in hand with [a remarkably convincing set of presets] goes an editing access to the workings of the effects that is so straightforward as to shame some major competitors, adding up to a mightily powerful box. Ignore it at your peril.
1999-1 Audio Media (UK)
4 pages news article, page 64
Author: David Mellor
TC Electronic has addressed a range of interesting issues and, if the promise of VSS is fulfilled, then it will bring the quest for naturalness in recordings one step closer to perfection.
1999-1 Scena & Studio (Pol)
2 pages review, page 20
Author: Piotr Madziar
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